Artist In Residence Beverly Fishman
Beverly Fishman is Artist-in-Residence and Head of the Painting Department. For the past twenty-five years she has worked as a full-time artist and has dedicated herself to educating young artists. She received her Master of Fine Arts degree from Yale University in 1980 and accepted her first position as adjunct Associate Professor in the Graduate Art School of the College of New Rochelle, New York, in 1983. Fishman began teaching at the Maryland Institute College of Art in Baltimore in 1988 and continued both positions until accepting the appointment as Artist-in-Residence at Cranbrook Academy of Art in 1992.
Since 2000, Fishman has been the subject of over a dozen one-person exhibitions in New York, London, Paris, Berlin, Chicago, and Los Angeles.
Her work has also been included in a number of group exhibitions dealing with color, conceptual and cultural concerns, technology, and medication, including: "2007 Op Art: Then and Now," at the Columbus Museum of Art, Columbus, Ohio; "Optical Edge," at the Pratt Manhattan Gallery in New York, curated by Robert C. Morgan; "Extreme Abstraction," at the Galerie Jean-Luc et Takako Richard, 2006; "Dreaming of a More Better Future," at the Cleveland Art Institute Gallery, 2005; "Post-Digital Painting," at Cranbrook Art Museum, 2003; "Colorforms," at the Detroit Artists Market, 2001; "Made," at Post gallery in Los Angeles, 2001; "Go Ask Alice, Post, Los Angeles, 2000; "Prime Focus," at Illinois State University, Normal, IL, 1998; "Techno Seduction," at Cooper Union Galleries in New York, 1997; "Colors, Contrasts and Cultures", at the Discovery Museum, Bridgeport, CT; and "Technology Culture," at the Erie Art Museum, Erie, PA, 1996.
Ms. Fishman has received numerous grants including a Guggenheim Fellowship Award in 2005, a Louis Comfort Tiffany Foundation Award in 2003, a National Endowment for the Arts Fellowship Grant in 1989, two Artist Space Grants in 1986 and 1990, and a Ford Foundation Grant in 1979.
Her teaching experience and professional activities include lectures, panel discussions, and participation as Visiting Artist at many museums and institutions throughout the country, including the Southern California Institute of Architecture, the Philadelphia College of Art, the Wadsworth Athenaeum, the University of New Haven, the Aldrich Museum of Contemporary Art, Yale University Summer Program in Art, Oberlin College, Kent State University, Goucher College, University of Delaware, University of Alabama, and Maryland Institute College of Art.
Her work may be found in more than a dozen museum and corporate collections, including: the Detroit Institute of Arts; the Stamford Museum and Nature Center; the United Nations Embassy in Istanbul, Turkey; the Life Sciences Institute at the University of Michigan; Compuware World Headquarters; the DaimlerChrysler Corporation; Prudential Headquarters in Newark, New Jersey; the William Beaumont Hospital in Royal Oak, Michigan; and the Financial Management Corporation in Chicago.

Dividose: R.G.R.
2006/2007, 42.75 x 84 inches
silkscreen, silkscreen vinyl and collage on powder coated aluminum
(red,grey,silver)
with Detail

Detail
Selected Bibliography
- Morgan, Robert C.. “Optical Edge” catalog, Pratt Manhattan Gallery, NY, NY, Curated by Robert C. Morgan
Stafford, Barbara. “Echo Objects: The Cognitive History of Images,“ Chicago: The University of Chicago Press, 2007. - Houston, Joe. Optic Nerve: Perceptual Art of the 1960s. London: Merrill, in association with the Columbus Museum of Art, 2007.
- Cassidy, Victor. "Beverly Fishman at Skestos Gabriele." Art in America 94, no.4 (April 2006): 167.
Stafford, Barbara. “The Remaining 10% The Role of Sensory Knowledge in the Age of the Self-Organizing Brain.” Visual Literacy, edited by James Elkins. New York: Routledge, 2006. - De Bourbon, Aude. “Paysages Cellulaires: Beverly Fishman.” ART ACTUEL (March/April 2004): 21.
- Houston, Joe. “Ecstasy.” Painters of the XXI Century. Paris: Galerie Jean-Luc & Takako Richard, 2004.
- Banger, Alex. “Pharmakon: Paintings by Beverly Fishman.” Wallpaper no. 64 (December 2003): 191.
- Biro, Matthew. “Post-Digital Painting.” Contemporary 50 (2003): 90-91.
- Jones, Denna. Pharmakon. London: Wellcome Trust, The Two Ten Gallery, 2003.
- Ostrow, Saul, and Joe Houston. Beverly Fishman: The Cranbrook Monograph. Winchester, England: Telos Art Press, 2003.
- Avgikos, Jan. Fantastic Voyage. Birmingham, MI: Lemberg Gallery, 2000.
- Bonds, Amanda. "Pill Popping." Surface 24 (2000).
- Mwangaguhunga, Ron. "New Technology Versus Old Masters." MacDirectory (Fall/Summer 2000).
- "PlaceboEffect." Black and White (June 2000).
- "Kunst MIT Kleinen Trostern." Freundin (June 2000).
- O'Kelly, Emma. "Pop Art." Wallpaper no. 25 (January/February 2000): 36.
- "Daslu" (reproduction). Brazil (March 2000).
- Blinderman, Barry. Wall Magnets (gallery guide). Bloomfield Hills, MI: Cranbrook Art Museum, 1999.
- Stafford, Barbara Marie. Visual Analogy: Consciousness as the Art of Connecting. Cambridge, MA: MIT Press, 1999.
- Apel, Dora. Light and Dark Matter. Boulder, Colo.: Boulder Museum of Contemporary Art, 1999.
- Crawford, Lynn. "Beverly Fishman at Susanne Hilberry." Art in America 87, no.2 (February 1999): 117.
- Zimmer, William. "Color: So Much the Essence of What Happens in a Painting." New York Times, December 21, 1997.
- Miro, Marsha. "Design as Discourse."Casabella 61 (June 1997): 38-47.
- Techno-Seduction. New York: Cooper Union, 1997.
- "Techno-Seduction" (catalog reprinted). Art Journal 56 (Spring 1997).
- Levy, Ellen K. "Repetition and the Scientific Model in Art." Art Journal 55 (Spring 1996): 79-84.
- Rubinstein, Rafael. Beverly Fishman: Breaking the Code. Youngstown, Ohio: John J.
McDonough Museum of Art, 1995. - Ostrow, Saul. What's a Painter to Do: The Paintings of Beverly Fishman. Birmingham, MI: Susanne Hilberry Gallery, 1993.

Black Rainbow
2005, Silkscreened vinyl and collage on powder-coated metal,
55.25 x 48 inches

Dividose: T.C.P
2005, Silkscreened vinyl and collage on powder-coated metal
65.5 x 48 inches

Untitled 2006 (yellow)
26 x 18 inches, silkscreen, silkscreen vinyl on powder coated aluminum
