Departmental Philosophy
Artist In Residence
Current Student Work


 

Visitors



Kathy Acker
Ron Ames
Lisa Anne Auerbach
Nancy Barr
Liza Bear
John Baldessari
Francesco Bonami
William Christenberry
A.D. Coleman
Linda Connor
Gregory Crewdson
Robert Cumming
Adam Fuss
Katie Grannan
Robert Heinecken
Todd Hido
Stuart Horodner
Steve Hughes
Alfredo Jaar
Karin Jobst
Jennifer Karady
Rosalind Krauss
Donald Kuspit
David Levinthal
Kalup Linzy
Ari Marcopoulos
Jonathon Neil
Shirin Neshat
Catherine Opie
Asya Reznikov
Davy and Peter Rothbart
Claire Schneider
Collier Schorr
Josh Siegal
Lorna Simpson
Alex Soth
Buzz Spector
Charles Stainbeck
Fabienne Stephan
Jesse Sugarman
Lynne Tillman
Anne Tucker
William Wegman
Charlie White
Linda Yablonsky

 

 


 

 

Departmental Philosophy

 

The Photography Department at Cranbrook cultivates artists to practice in a manner that is both non-traditional and interdisciplinary. Critical discussions originate from issues in contemporary photography that are inspired by documentary, tableau, or performative practices. Using these dialogues as a starting point, we look to historic as well as contemporary works to assess the direction of the medium. We evaluate production value, content and its formal translation, and the nature of practice as we establish models of critique and production that can be sustained beyond the academy and into the profession.

 

Photo 4
Brittany Nelson, Test, 2012, 50” x 60", C-Print

Program

At the MFA program in photography at Cranbrook, approximately 15 students work closely with their artist-in-residence to find their subject matter, explore the function of form, and produce a refined and sustainable practice that generates artworks. In addition to regularly scheduled group critiques, the artist-in-residence engages the students in individual meetings and assigned readings. Part of the curriculum is generated by the students as they are expected to do field and literary research throughout their tenure at Cranbrook. Each student shares her field and literary research with her peers by conducting a seminar in which she leads her cohort through a field trip and selected readings. The program is supplemented by regular visits from outside artists and critics.

 

Photo
Matt Glass, Citadel, 2012,  digital video, Binocular Viewing Stations, coated foam, 15m 21s

https://vimeo.com/39804146


Facilities

Each MFA candidate is awarded a studio space. Cranbrook Photography houses both digital and wet labs. The digital lab includes processing, scanning, printing and viewing stations. The processing area includes several iMacs equipped with the latest version of the Adobe Design Suite. The scanning station includes an Imacon scanner for negatives and a large-scale scanner for opaque and transparent media. The printing station includes a Mac Pro tower, a professional monitor, the latest Adobe Design Suite, Colorburst RIP software, and a large format Epson printer. In addition to the facilities in the Photography Department, the Central Media Lab houses a studio with infinity walls, and provides digital cameras, video cameras, lights and sound equipment for check out.



Photo
Shanna Merola, Untitled, 2012, Archival Pigment Print, 20” x 24”

 

Photo
Joe Sobel, Judy, 2011-2012, HD projection, 25:50
http://vimeo.com/40835539



Photo
Emily Hurley, String Face, 2012, Gouache, 30" x 40"

 

Photo
Will Connally, Hollis’ Goggles, 2011, Archival Ink Jet Print, Scanned From Film, 30” x 40”


Photo
Brian Carpenter, Levitate, 2012, Archival Ink Jet Print, 40” x 30”

 

Photo
Laura Ginn, Found Shelter, 2009, conté crayon on photograph, 19” x 14.5”