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New Acquisitions: November 2003


Achille Castiglioni. Mantova: Corraini, 2000.
(NK 1452 .Z9 C37)

Appiganesi, Richard. Introducing Postmodernism. Cambridge: Icon Books; New York: Totem Books, 1999.
(B 831.2 .A65)

Azoulay, Ariella. Death's Showcase: The Power of Image in Contemporary Democracy. Cambridge, Mass.: MIT Press, 2003.
(N 8217 .D5 A96)

Bell, Robert. Material Culture: Aspects of Contemporary Australian Craft and Design. Canberra, ACT: National Gallery of Australia, 2002.
(NK 1089 .B45)

Braco Dimitrijevic: Triptychos Post Historicus. Birmingham, UK: Barber Institute of Fine Arts and Ikon Gallery, 2001.
(N 7253 .D54 A4)

Bush, Kate. Reality Check: Recent Developments in British Photography and Video: An Exhibition. London: British Council, Visual Arts, 2002.
(TR 57 .B87)

Carter, Brian. Between Earth and Sky: The Work & Way of Working of Eero Saarinen. Ann Arbor, Mich.: University of Michigan, 2003.
(NA 737 .S11 C37)

Charlotte Perriand: A Life of Creation: An Autobiography. New York: Monacelli Press, 2003.
(NK 2049 .Z9 P47)

Coates, Nigel. Guide to Ecstacity. New York: Princeton Architectural Press, 2003.
(NA 9031 .C63)

Collins, Jeff. Introducing Derrida. Duxford: Icon, 1996.
(B 2430 .D48 C65)

Collins, Jeff. Introducing Heidegger. Cambridge: Icon Books; New York: Totem Books, 1999.
(B 3279 .H49 C56)

Critical Terms for Art History. 2nd ed. Chicago: University of Chicago Press, 2003.
(N 34 .C75 2003)

Delvoye, Wim. Scatalogue. Gent: Merz, 2002.
(N 6973 .D45 A4)

Early One Morning: British Art Now. London: Whitechapel Art Gallery, 2002.
(N 6768 .E17)

Edna Andrade: Optical Paintings, 1963-1986. Philadelphia: Institute of Contemporary Art, 2003.
(ND 237 .A61 A4)

Feireiss, Kristin. The Art of Architecture Exhibitions. Rotterdam: NAi Publishers, 2001.
(NA 2540 .A78)

Garner, Gretchen. Disappearing Witness: Change in Twentieth-Century American Photography. Baltimore: Johns Hopkins University Press, 2003.
(TR 23 .G37)

Gómez-Peña, Guillermo. Dangerous Border Crossers: The Artist Talks Back. New York: Routledge, 2000.
(NX 512 .G66 A35)

Graham Gussin. Birmingham: Ikon Gallery, 2002.
(N 6797 .G87 A4)

Hamish Fulton: Walking Journey. London: Tate Publishing, 2002.
(TR 647 .F85 W35)

Heaton, John. Introducing Wittgenstein. Trumpington: Icon, 1999.
(B 3376 .W563 H43)

Horrocks, Chris. Introducing Baudrillard. New York: Totem Books, 1996.
(HM 22 .F8 B385)

Horrocks, Chris. Introducing Foucault. Trumpington: Icon, 1999.
(B 2430 .F72 H67)

Huey, Michael. Viennese Silver: Modern Design 1780-1918. Ostfildern-Ruit: Hatje Cantz, 2003.
(NK 7148 .V54)

Hungarian Photographs: Romanticism to Avant-Garde = Photographies Hongroises: Des Romantismes aux Avant-Gardes. Paris: Vilo; London: Art Books International, 2002.
(TR 646 .H86 H86)

Index Architecture: A Columbia Book of Architecture. Cambridge, Mass.: MIT Press, 2003.
(NA 2300 .C635 I53)

Installations: Mattress Factory, 1990-1999. Pittsburgh: Mattress Factory; University of Pittsburgh Press, 2001.
(N6494 .I56 I57)

Josef Koudelka. Czech Republic: Tortst, 2002.
(TR 654 .K68 J67)

Key Writers on Art: From Antiquity to the Nineteenth Century. New York: Routledge, 2002.
(N 7475 .K49)

Key Writers on Art: The Twentieth Century. New York: Routledge, 2003.
(N 7475 .K492)

Leatherbarrow, David, and Mohsen Mostafavi. Surface Architecture. Cambridge, Mass.: MIT Press, 2002.
(NA 2540 .L36)

Liam Gillick: The Wood Way. London: Whitechapel Art Gallery, 2002.
(N 6797 .G53 A5)

Margolius, Ivan. Church of the Sacred Heart: Joze Plecnik: Prague 1922-1933. London: Phaidon Press, 1995.
(NA 1453 .P55 M37)

Marshall, Richard. Ed Ruscha. London: Phaidon, 2003.
(N 6537 .R951 M37)

Meskimmon, Marsha. Women Making Art: History, Subjectivity, Aesthetics. New York: Routledge, 2003.
(N 8354 .M47)

Mirzoeff, Nicholas. The Visual Culture Reader. 2nd ed. New York: Routledge, 2002.
(NX 458 .V57 2002)

Molesworth, Helen Anne. Image Stream. Columbus, Ohio: Wexner Center for the Arts, Ohio State University, 2003.
(N 6494 .V5 M65)

Neill, Alex, and Aaron Ridley. Arguing About Art: Contemporary Philosophical Debates. 2nd ed. New York: Routledge, 2002.
(BH 201 .A74)

The New Everyday: Views on Ambient Intelligence. Rotterdam: 010 Publishers, 2003.
(T 58.5 .N49)

Olafur Eliasson: Chaque Matin Je Me Sens Différent, Chaque Soir Je Me Sens le Mme. Paris: Paris-Musées, 2002.
(N 7153 .O43 A5)

Painting Pictures: Painting and Media in the Digital Age. Bielefeld, Germany: Kerber Verlag, 2003.
(ND 195 .P33)

Paul, Christiane. Digital Art. New York: Thames & Hudson, 2003.
(N 72 .T4 P38)

Preziosi, Donald. Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity. Minneapolis: University of Minnesota Press, 2003.
(N 410 .P74)

Remix: Contemporary Art & Pop. London: Tate Publishing, 2002.
(N 6490 .R44)

Richardson, Phyllis. XS: Big Ideas, Small Buildings. New York: Universe, 2001.
(NA 2540 .R53)

Santiago Calatrava: Structures in Movement: The Architecture of Santiago Calatrava: An Exhibition. Dallas, TX: Meadows Museum, Southern Methodist University, 2001.
(NA 1313 .C35 A6)

Shigeru Ban. New York: Princeton Architectural Press, 2001.
(NA 1559 .B26 A4)

Shimmering Substance / View Finder. Bristol: Arnolfini, 2002.
(N 6768.5 .I58 S55)

Sollins, Susan. Art 21: Art in the Twenty-First Century, Vol. 2. New York: Harry N. Abrams, 2003.
(N 6512 .A74 2003)

Spivey, Nigel Jonathan. Enduring Creation: Art, Pain, and Fortitude. Berkeley, Calif.: University of California Press, 2001.
(N 8234 .P24 S67)

Surface Tension: Problematics of Site. Los Angeles: Errant Bodies Press, 2003.
(NX 456.5 .S57 S87)

Thody, Philip. Introducing Barthes. Trumpington: Icon, 1999.
(P 85 .B33 T49)

Thody, Philip. Introducing Sartre. Duxford: Icon Books, 1999.
(B 2430 .S25 T46)

Troy, Virginia Gardner. Anni Albers and Ancient American Textiles: From Bauhaus to Black Mountain. Burlington, Vt.: Ashgate, 2002.
(NK 8998 .A 45 T76)

UnNaturally. New York: Independent Curators International, 2003.
(N 6490 .U56)

Video Acts: Single Channel Works from the Collections of Pamela and Richard Kranlich and New Art Trust. Long Island City, N.Y.: P.S.1 Contemporary Art Center, 2002.
(N 6494 .V53 V53)

Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. Munich: Prestel; New York: Whitney Museum of American Art, 2002.
(TR 6 .U62 N49)

Wallace, Ann. Arts & Crafts Textiles: The Movement in America. Salt Lake City: Gibbs Smith Publishers, 1999.
(NK 8812 .W35)

The World Almanac and Book of Facts 2004. New York: Press Pub. Co., 2004.
(Ref. AY 67 .N7 W9 2004)

Wride, Tim B. Donald Blumberg. Los Angeles: Los Angeles County Museum of Art, 2002.
(TR 647 .B56 W75)


Felver, Christopher. Donald Judd's Marfa, Texas. New York: Arthouse, 2001.
(VHS NB 237 .J76 D66)

Felver, Christopher. Tony Cragg: In Celebration of Sculpture. New York: Arthouse, 1993.
(VHS NB 497 .C75 F45)

Marc Quinn. London: Illuminations, 2003.
(VHS NB 497 .Q56 A4)

Smith, Alison. The Victorian Nude. Princeton, N.J.: Films for the Humanities & Sciences, 2003.
(VHS N 7572 .V52)


Art21: Art in the Twenty-First Century: Seasons One and Two. Alexandria, Va.: PBS Home Video, 2001.
(DVD N 6512 .A74)

Bogdanovich, Peter. The Cat's Meow. [United States]: Trimark Home Video, 2001.
(DVD PN 1997 .C39)

Capra, Frank. Mr. Deeds Goes to Town. Culver City, Calif.: Columbia TriStar Home Video, 1999.
(DVD PN 1997 .M74)

Caro, Niki. Whale Rider. Culver City, Calif.: Columbia TriStar Home Entertainment, 2002.
(DVD PN 1997 .W43)

Clouzot, Henri-Georges. Quai des Orfèvres. Irvington, N.Y.: Criterion Collection, 2003.
(DVD PN 1997 .Q35)

Cluzard, Jacques, and Michel Debats. Winged Migration. Culver City, Calif.: Columbia TriStar Home Entertainment, 2003.
(DVD QL 698.9 .W56)

Hitchcock, Alfred. Spellbound. Irvington, N.Y.: Criterion Collection, 2002.
(DVD PN 1997 .S825)

Kurosawa, Akira. Throne of Blood = Kumonosu-jo. Irvington, N.Y.: Criterion Collection, 2003.
(DVD PN 1997 .T51)

Resnais, Alain. Night and Fog = Nuit et Brouillard. Irvington, N.Y.: Criterion Collection, 2003.
(DVD D 805 .G3 N84)