The 2014 Graduate Degree Exhibition of Cranbrook Academy of Art opens to the public on April 22, and will showcase work from the next generation of architects, artists and designers who are shaping the future of art and design. The exhibition features pieces that are the culmination of two years of studio work from a diverse group of 75 graduates. The exhibition will run from April 22 – May 11, 2014.
Visitors can see installations such as an outdoor chandelier composed entirely of small bags of water, participate in an interactive virtual video work based on their movements in the gallery and experience a self-activated mechanical arm that brings speakers directly to the listener.
The exhibition will fill the entire 15,000 square feet of Cranbrook Art Museum and surrounding grounds. It is the most diverse exhibition offered all year as it showcases work from across all of the Academy’s 10 departments – 2D and 3D Design, Architecture, Ceramics, Fiber, Metalsmithing, Painting, Photography, Print Media, and Sculpture.
Ephemera: Fragments from Cranbrook’s Social Life
Public Exhibition Dates: April 22, 2014 – September 28, 2014
Often referred to as the transient evidence of everyday life, ephemera is primary source material that spans the entire range of printing and social history, offering direct evidence of our cultural, social, industrial, and technological histories. Because the Cranbrook Archives’ collection of ephemera is so rich and varied, this exhibition focuses on ephemera that illustrates Cranbrook’s social life during the 20th century.
Ranging from printed matter for theatrical productions, family and alumni reunions, and school athletic events, to lecture series and science and art museum exhibitions, these documents present a visually compelling story of the way in which the Cranbrook community has represented its preoccupations, cultural perceptions, and identity over the past century. This is the first of several exhibitions that will feature ephemera from the collections of the Cranbrook Archives.
Ephemera: Fragments that Document Cranbrook’s Social Life was organized by the Cranbrook Center for Collections and Research and curated by Head Archivist Leslie S. Edwards. The Center, which includes Cranbrook Archives, is supported, in part, by its Charter Patrons, the Towbes Foundation of Santa Barbara, California, and the Fred A. and Barbara M. Erb Family Foundation.
Sol LeWitt: Wall Drawings 790A and 790B: Irregular Alternating Color Bands
Exhibition Dates: Through March 2014
Sol LeWitt’s Wall Drawings 790A and 790B: Irregular Alternating Color Bands (1995) fill the Hartmann Gallery with serpentine bands of bold color applied directly to the wall. A pioneer of Conceptual Art, LeWitt conceived his wall drawings as a medium through which he could explore the concept of serial permutation while mining the tension between art and architecture. Wall Drawings 790A and 790B, like most of LeWitt’s wall drawings, exist only for the duration of the exhibition before being destroyed, privileging the conception of the work over its physical manifestation and demonstrating the artist’s dictum that “The idea becomes a machine that makes the art.” Still, the physical form of the work retains an undeniable beauty: LeWitt’s sinuous line and fulsome color together serve as an arresting counterpoint to Eliel Saarinen’s airy interior space.