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Duane
Hanson: Photographs, 1977-1995 Cranbrook Art Museum June 5-September 26, 2004 Duane Hanson was not a great photographer. He was a great sculptor, who made uncannily naturalistic figurative sculptures of average Americans: joggers, tourists, body builders, even sunbathers that offer profound social commentary on American life. Hanson used photography, not as art in itself, but chiefly to study his subjects, as a tool for accomplishing his art. These artist “sketches” are on view for the first time ever outside New York. The exhibition “Duane Hanson: Photographs, 1977-1995,” offers a rare insight into the artist’s process as a window on his working methods and his sculptural journey into hyperrealism. Members opening reception: Friday, June 4, 2004, 6:00-8:00pm |
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| SELECTED IMAGES FROM DUANE HANSON: PHOTOGRAPHS >> | |||||||
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| ABOUT THE EXHIBITION >> | |||||||
| Taken
with either a Polaroid or Kodak Instamatic camera, Hanson’s small-scale
color photographs record people in a variety of poses, many of which were
taken in the artist’s studio. Over 100 images in this exhibition
represent a watershed in Hanson’s oeuvre and help structure an investigation
on the relationship between photography, sculpture, art and life. Hanson,
a 1951 graduate of Cranbrook Academy of Art, began making realistic sculptures
in 1967 but did not introduce the Instant Camera into his artistic process
until 1997. Wesla Hanson, the sculptor’s widow (Hanson died in 1996,
shortly before his seventy-first birthday) says that before her husband
turned to the camera he studied poses by eye and memory alone. From 1977 on, Hanson used photography as a sketching tool for selecting gesture, posture, placement and prop. Although intended as vehicles to facilitate sculpture, the photographs possess their own magic and mystery and stand strongly and elegantly on their own. “Hanson was not a skilled photographer in the technical sense,” says Gregory Wittkopp, Director of Cranbrook Art Museum. “But the photographs are fascinating for helping us understand the artistic process. This exhibition at Cranbrook Art Museum allows the public to view and contemplate some of the people that inspired Hanson’s monumental sculptures.” Two sculptures by Hanson will be on display in the Museum, along with the exhibition of photographs, including: “Bodybuilder,”(1989), from the Cranbrook Art Museum Collection, and “Businessman Reading,” (1983), on loan from the Collection of Gilbert and Lila Silverman. Photographs of the models for both sculptures are included in the exhibition at Cranbrook. |
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| MORE INFORMATION >> | |||||||
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ArtMembers@Cranbrook
Become a member and enjoy the privileges of not one but two of
the most highly acclaimed contemporary art institutions located in the
heart of Cranbrooks campus. |
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| CREDITS>> | |||||||
| The exhibition,
“Duane Hanson: Photographs, 1977-1995,” was organized
by the Laurence Miller Gallery of New York City and is generously
sponsored by Gilbert and Lila Silverman. |
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| Cranbrook
Art Museum is a non-profit contemporary art museum, and an integral part
of Cranbrook Academy of Art, a community of artists-in-residence and graduate-level
students of art, design and architecture. Cranbrook Academy of Art and
Art Museum are a part of Cranbrook Educational Community, which also includes
Cranbrooks Institute of Science, Schools and other affiliated cultural
and educational programs. Cranbrook Art Museum is accredited by the American
Association of Museums. Cranbrook Art Museum is open Tuesday through Sunday from 11 a.m. to 5 p.m. with extended hours until 9 p.m. each Friday. Admission is $6 for adults, Full-Time Students with ID and Teens 13 and over: $4. Senior Citizens (65+): $4. Children 12 and under and Museum Members: Free! For more information, please call 1.877.GO.CRANBrook. (1.877.462.7262) |
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