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"Joe Houston's exhibit is a "must" for everyone, who cares about painting." - Joy Hakanson Colby/The Detroit News |
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Post-Digital
Painting |
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ARTISTS
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Scott
Anderson
Phllip Argent Alex Brown Benjamin Edwards Chris Finley Beverly Fishman Carl Fudge Dan Hays Yeardley Leonard Randy Wray Amy Yoes Peter Zimmermann |
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| POST DIGITAL PAINTING IN THE NEWS: WHAT THE CRITICS ARE SAYING... >> | ||||
| DETROIT NEWS STORY 1.30.03 by Joy Colby >> | ||||
| 'Post-Digital
Painting' pumps new technology into an aging art form By Joy Hakanson Colby / The Detroit News "Houston selected artists with different agendas and different techniques, making for a varied collection that rivets your attention." |
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| Chris
Finley calls his oil and acrylic painting "Couplinkmoundtwir." |
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| METROTIMES COVER STORY 1.29.03 by George Tysh >> | ||||
| Art
1010101010101010 Cranbrooks "Post-Digital Painting" boots up wild new worlds. - by George Tysh Virtual
tools are changing the way |
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| TAKE A CLOSER LOOK >> | ||||
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Painting has not lost its sense of urgency and appeal in light of the sophisticated multimedia technology available today. Post Digital Painting, an exhibition at Cranbrook Art Museum on view December 14 -March 23, 2003, explores how our immersion in the digital age extends to artists working into the age-old medium of painting . This group exhibition presents twelve contemporary international painters whose work reflects a dynamic visual perspective of the computer age and demonstrates how the media-environment is impacting not only visual culture, but the nature of vision. As information and communication becomes more complicated, so too are the traditional boundaries between art and media becoming less clear. Not unlike photography in the 19th century, and film and video in the 20th century, computer technology is-- without any doubttransforming our visual culture in the 21st century. What are the effects of this transformation on painting? In this exhibition, the artists provide various perspectives of our encoded media age that appear more evocative than any of the electronically derived images with which we have become so familiar. Using densely layered patterns, morphed imagery and cybernetic spatial distortion, an emerging generation of artists are adding renewed vigor to the traditional medium of painting. Hailing from the United States, England and Germany, the painters included in Post Digital Painting reflect the global impact of new technologies on vision and representation. Participating artists include Scott Anderson, Phillip Argent, Alex Brown, Benjamin Edwards, Chris Finley, Beverly Fishman, Carl Fudge, Dan Hays, Yeardley Leonard, Randy Wray, Amy Yoes and Peter Zimmerman. This exhibition is organized by Cranbrook Academy of Art and curated by the Curator of Exhibitions, Joe Houston. An illustrated, full-color catalog will be available in The Store at Cranbrook Art Museum. Cranbrook Art Museum is a non-profit contemporary art museum, and an integral part of Cranbrook Academy of Art, a community of artists-in-residence and graduate-level students of art, design and architecture. Cranbrook Academy of Art and Art Museum are a part of Cranbrook Educational Community, which also includes Cranbrooks Institute of Science, Schools and other affiliated cultural and educational programs. Cranbrook Art Museum is accredited by the American Association of Museums. |
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| TO LEARN MORE >> | ||||
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SATURDAY,
MARCH 8, 2-4 PM |
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| CREDITS>> | ||||
| Cranbrook
Art Museum is supported, in part, its Members, the Michigan Council for
Arts and Cultural Affairs, the Museum Committee and the fund-raising activities
of the Serious Moonlight Steering Committee and the Women's Committee
of Cranbrook Academy of Art and Art Museum. Cranbrook Art Museum is open Tuesday through Sunday from 11 a.m. to 5 p.m. with extended hours until 9 p.m. each Friday. Admission is $6 for adults, Full-Time Students with ID and Teens 13 and over: $4. Senior Citizens (65+): $4. Children 12 and under and Museum Members: Free! For more information, please call 1.877.GO.CRANBrook. (1.877.462.7262) |
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